Oil on Panel
24" x 24"
Saturday, December 15, 2007
Saturday, December 1, 2007
Spring Rain II
Oil on Panel
18" x 24"
Available at MossRocks Gallery, The Woodlands, TX
I had so much fun with this piece. I started out with the darkest colors and the shadows actually kept expanding as I went along. Then I used some of my favorite shades of blue to round out the piece and used yellow to keep it form being too cold and icy. I love this because it reminds me of a rainy day in a city.
18" x 24"
Available at MossRocks Gallery, The Woodlands, TX
I had so much fun with this piece. I started out with the darkest colors and the shadows actually kept expanding as I went along. Then I used some of my favorite shades of blue to round out the piece and used yellow to keep it form being too cold and icy. I love this because it reminds me of a rainy day in a city.
Thursday, November 15, 2007
Spring Rain I
Oil on Panel
24" x 36"
This is one of my favorites. Most people see blue and feel down, or sad. I love the color blue, and to me, as long as the hues are pure enough, blue is peaceful, calm. To me, this piece is a peacefully rainy day. It reminds me of a summer storm, when the sun will shortly come out again.
24" x 36"
This is one of my favorites. Most people see blue and feel down, or sad. I love the color blue, and to me, as long as the hues are pure enough, blue is peaceful, calm. To me, this piece is a peacefully rainy day. It reminds me of a summer storm, when the sun will shortly come out again.
Sunday, June 24, 2007
Walk on the Wild Side
The picture below is the of the piece I recently completed in my new abstract class. I am truly enjoying the class simply for being able to have fun with paint and experiment with new techniques. I can get crazy and dirty and not worry about how it will look. This one wound up reminding me of a hypercolor t-shirt from the mid-90s, amusingly enough:
I think that if I didn't already have some training on the basic color theory and design, I would probably be pretty lost. There are definitely some people in the class that have no clue about those things, but it really doesn't matter. Everyone is supportive of each other, and because we are all trying totally new things and techniques, who knows if your work will wind up looking great or not, and who really cares?
Truth be told, I was actually happy with this painting. I was pretty disappointed that after only getting to mess around for about a half hour, it was done, but overall I really like the way it turned out. I didn't overwork the piece, and it has solid compositional elements in it. Plus, it was a hell of a fun time basically splashing the canvas with paint. :)
I think that if I didn't already have some training on the basic color theory and design, I would probably be pretty lost. There are definitely some people in the class that have no clue about those things, but it really doesn't matter. Everyone is supportive of each other, and because we are all trying totally new things and techniques, who knows if your work will wind up looking great or not, and who really cares?
Truth be told, I was actually happy with this painting. I was pretty disappointed that after only getting to mess around for about a half hour, it was done, but overall I really like the way it turned out. I didn't overwork the piece, and it has solid compositional elements in it. Plus, it was a hell of a fun time basically splashing the canvas with paint. :)
Labels:
abstract,
experiment,
hypercolor
Sunday, June 10, 2007
Step One
To your left is the first painting I have completed in oil. Well, to be exact, this is the first one that I have completed on my own. I am trying something a little bit different from what I have been doing in my class. I am doing an online self-study program. The reason for this is that I feel that none of the classes I have taken have really taught me HOW to paint. The instructors go very in depth about your composition, and the conceptualization behind the painting, but as to the actual process of becoming a good painter logistically, I feel that I have sorely lacking. So far everything I have been reading through this has been greatly educational. The course itself is pretty intense. Hopefully I will be able to keep up the discipline to continue the program through its entirety. Supposedly, it takes a year to complete this thing, but it "can" be done in 6-9 months. I am shooting for the six to nine months route - I very much want to step up my game and make sure this is the path I want to pursue.
The painting I just completed is what is called a baseline painting. Basically that means I just paint something, pretty much anything. The only stipulation is that I have to paint it from life. Later on, I will compare my progress to this original painting, hopefully to help me boost my sorely trodden upon ego as I have spurts of success followed by many frustrations. Heh. In any case, it felt great to do something completely on my own, without an instructor constantly looking over my shoulder and meddling with it. One of my biggest pet peeves from my last class was how I always had to wait for the instructors "permission" to continue to the next portion of the painting. He also had a tendency to belittle the students, to mix the colors for them because they weren't "competent" enough, and to actually paint part of their works himself. I can understand this to a certain degree for super early beginners, but by the end of the class, I actually did not like some of the things he had done when touching my painting. In any case, this felt good to paint, although it is definitely not anything close to being stellar. Very student-grade. Sigh. Just keep swimming.
The painting I just completed is what is called a baseline painting. Basically that means I just paint something, pretty much anything. The only stipulation is that I have to paint it from life. Later on, I will compare my progress to this original painting, hopefully to help me boost my sorely trodden upon ego as I have spurts of success followed by many frustrations. Heh. In any case, it felt great to do something completely on my own, without an instructor constantly looking over my shoulder and meddling with it. One of my biggest pet peeves from my last class was how I always had to wait for the instructors "permission" to continue to the next portion of the painting. He also had a tendency to belittle the students, to mix the colors for them because they weren't "competent" enough, and to actually paint part of their works himself. I can understand this to a certain degree for super early beginners, but by the end of the class, I actually did not like some of the things he had done when touching my painting. In any case, this felt good to paint, although it is definitely not anything close to being stellar. Very student-grade. Sigh. Just keep swimming.
Labels:
beginning,
fruit,
still life
Tuesday, June 5, 2007
Supplies
My new art class, much to my dismay, is an acrylic class. I am excited about it being abstract, but I had really set my hopes on it being an oil class. From what I understand though, most classes aren't anymore, mostly because oil takes so long to do anything with. For some reason I am in love with the medium. I don't know quite exactly why, but I am. I love the smell of it, I love the way that it can be manipulated and almost sculpted. Acrylics can do the same things, with mediums, but I like how oil is that way in its natural state. In any case, because this class was in acrylics, I wound up spending another $200 on supplies in addition to the $300-$400 that I just spent (by the end of it all) on my oil class. A little frustrating, to say the least, but what can you do? I have evidently chosen a very expensive hobby. Oil paints are mucho expensive, and this abstract instructor gave a list of about 30 different acrylic colors. Honestly, I KNOW those colors can be mixed from some combination of other colors. But, I figured that I would at least follow it for the beginning and return whatever paints I was sure we wouldn't be using. Sort of like college with the bookstore. Easier to get the books and return them later than to chance the store being out of a copy of what I need.
Saturday, June 2, 2007
Update on Progress
My first art class just wound down. It was basically a class about doing oil glazes over an acrylic underpainting. By the end of the class I had finished two pieces and am about halfway finished with a third piece. This class was through the Houston Art League. All in all the class was a great way to get back into the swing of color theory and some rudimentary drawing/painting skills.
Overall, I started relearning how to see properly again. This may seem strange, but when I have been completing many art projects on a regular basis, I start to see things differently, literally. The one summer I was in an art immersion program, by the end of the five weeks, I would look at a tree and not only see green leaves, but different shades of brown, violet, blue and red within the leaves. Eventually I start to see shapes differently. Shapes become values and hues rather than the general object. What my brain has been programmed to identify, say, as a "chair" starts appearing as general smaller shapes that make a larger, complex shape.
I signed up for the same class again this summer. I think after the end of this summer I will most likely not take it again. Although the class is fun, and the instructor is a very nice man, it does have a lot of limitations. The one technique he is teaching is basically wet oil in very transparent glazes over dry canvas (whether it is dried oil or acrylic). I really want to be working more wet on wet. I want the paint to be able to take on a life of its own. This technique is pretty rigid, where I want my work to be looser. But for right now I am learning a lot about paint, and really building my skill set. It feels awesome.
Overall, I started relearning how to see properly again. This may seem strange, but when I have been completing many art projects on a regular basis, I start to see things differently, literally. The one summer I was in an art immersion program, by the end of the five weeks, I would look at a tree and not only see green leaves, but different shades of brown, violet, blue and red within the leaves. Eventually I start to see shapes differently. Shapes become values and hues rather than the general object. What my brain has been programmed to identify, say, as a "chair" starts appearing as general smaller shapes that make a larger, complex shape.
I signed up for the same class again this summer. I think after the end of this summer I will most likely not take it again. Although the class is fun, and the instructor is a very nice man, it does have a lot of limitations. The one technique he is teaching is basically wet oil in very transparent glazes over dry canvas (whether it is dried oil or acrylic). I really want to be working more wet on wet. I want the paint to be able to take on a life of its own. This technique is pretty rigid, where I want my work to be looser. But for right now I am learning a lot about paint, and really building my skill set. It feels awesome.
Long time
I have been seriously remiss in updating this blog. Part of this has been due to events of life, the other part largely due to the fact that I currently have no digital camera to speak of, so I cannot post any of my work in progress. A little hard to post blogs about how to do things in art without being able to show some sort of visual. Funny how that works, eh?
Work is going quite well, to say the least. I am finally beginning to make some sales - and some commission. At the same time business in general is beginning to pick up, so now I do not feel like if I don't make a sale the company will go under. Looking like we will make it through the summer, and hell, it may even be pretty lucrative.
Just plugging away with it all. I'll have a more art-detailed update later today most likely. In the meantime, its off to shower and get ready for one of the many weddings we'll be attending this season.
Work is going quite well, to say the least. I am finally beginning to make some sales - and some commission. At the same time business in general is beginning to pick up, so now I do not feel like if I don't make a sale the company will go under. Looking like we will make it through the summer, and hell, it may even be pretty lucrative.
Just plugging away with it all. I'll have a more art-detailed update later today most likely. In the meantime, its off to shower and get ready for one of the many weddings we'll be attending this season.
Thursday, April 19, 2007
Resources
I found a great website today. Originally, I was searching about different ways to stretch canvas, which, not this second, but later on, I will make sure to post about. I stumbled onto this site, called about:Painting. It is AMAZING. Pretty much any topic you could ever have a question about with painting, someone has written an article for it. Most of them are short and sweet, and not too terribly in depth. However, because there are so many articles and certain areas are covered from so many angles, usually you can find the answer to your question. Golden.
Saturday, March 31, 2007
In the Beginning...
I suppose I should begin this blog with some kind of thesis, some kind of purpose. I think the best way to lay out the direction of this thing is to start with the past.
First of all, I'm the proverbial devil's advocate. Usually in a discussion of importance, or rather of controversy, I don't necessarily have any opinion or to be honest, care about the topic. It's not that I am superficial, more likely I feel that even if I did have a true opinion on the issue there is little that it would do to change anything. Instead I try to keep an open mind and see what other's views are. Regardless, during such conversations, I tend to always counter-point an argument to see what holes are in the other party's logic.
As a result, I often feel the desire to do the exact opposite of what others say. For example, in high school I was a fairly competent artist. One summer, I went to a six week long arts summer camp lead by college professors and such. Now, at this point my skill level wasn't all that hot, to be honest. It was okay, but not great. I had been doing things for just a year, literally, and most of the other kids there had been taking private art lessons since the cradle. I got intimidated, and all of the "wise" professors told us to not try and make a living being an artist.
To make a long story short, I wound up choosing to be a Finance major rather than an Art major specifically for that reason. I loved my college experience, I made great friends, and I would not have traded it for anything. But then I went into banking and finance, sort of the family trade, in Corporate America. All of the people who'd known me since high school pretty much thought I was crazy, but I thought I was being logical. People from college didn't even know about my art background because I did very little of it in college. Too much drinking in New Orleans will do that to you. The bank lasted a year before I high-tailed it to Houston, TX where I am now working with a team of artists (doing sales, not painting, unfortunately).
Well, my goal is to be working for myself as an artist in the next five years. In many ways I am basically starting from scratch, and I somehow missed a lot of essential art knowledge that people pick up in art school. Hopefully this blog will be able to let me relate my experiences to others who are in a similar situation. I'm learning a ton, from Photoshop, to art materials, and even the business behind art. Maybe I'll learn something that will help someone else who was sidetracked from their dream and is currently trying to recapture it.
First of all, I'm the proverbial devil's advocate. Usually in a discussion of importance, or rather of controversy, I don't necessarily have any opinion or to be honest, care about the topic. It's not that I am superficial, more likely I feel that even if I did have a true opinion on the issue there is little that it would do to change anything. Instead I try to keep an open mind and see what other's views are. Regardless, during such conversations, I tend to always counter-point an argument to see what holes are in the other party's logic.
As a result, I often feel the desire to do the exact opposite of what others say. For example, in high school I was a fairly competent artist. One summer, I went to a six week long arts summer camp lead by college professors and such. Now, at this point my skill level wasn't all that hot, to be honest. It was okay, but not great. I had been doing things for just a year, literally, and most of the other kids there had been taking private art lessons since the cradle. I got intimidated, and all of the "wise" professors told us to not try and make a living being an artist.
To make a long story short, I wound up choosing to be a Finance major rather than an Art major specifically for that reason. I loved my college experience, I made great friends, and I would not have traded it for anything. But then I went into banking and finance, sort of the family trade, in Corporate America. All of the people who'd known me since high school pretty much thought I was crazy, but I thought I was being logical. People from college didn't even know about my art background because I did very little of it in college. Too much drinking in New Orleans will do that to you. The bank lasted a year before I high-tailed it to Houston, TX where I am now working with a team of artists (doing sales, not painting, unfortunately).
Well, my goal is to be working for myself as an artist in the next five years. In many ways I am basically starting from scratch, and I somehow missed a lot of essential art knowledge that people pick up in art school. Hopefully this blog will be able to let me relate my experiences to others who are in a similar situation. I'm learning a ton, from Photoshop, to art materials, and even the business behind art. Maybe I'll learn something that will help someone else who was sidetracked from their dream and is currently trying to recapture it.
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